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Fangshan
County lies in the southwestern corner of the Beijing
municipality. The Great Fangshan range winds its way through
this county, its undulating peaks stretching far into
the distance. Here there are many fine landscapes and
places of historic interest, the most famous of which
are described as follows:
Shangfang
(Upper Square) Mountain
Shangfang
Mountain, known in ancient times as Liupin Mountain, is
a branch of the Great Fangshan range. It is situated some
75 kilometers southwest of Beijing and 20 kilometers from
Zhoukoudian, the ancient home of Peking Man.
According
to historical records, some time between 58 and 75 AD
(Eastern Han Dynasty), a monk of the Huayan School named
Huisheng built a number of pagodas and temples here, designating
the area as center of Buddhist worship. Later, the buildings
were renovated and 72 convents were constructed between
nine grottoes and 12 peaks of the Shangfang Mountain,
with the Tusita Temple (Doushuaisi) at their center. Sixteen
of these convents are still standing today.
This
area of imposing crags and gullies, and verdant woodland,
scattered with fine buildings and temples has been a center
of Buddhist activity for more than 1,000 years. Its famed
beauty has inspired the saying: "In the south are
Hangzhou and Suzhou, while in the north there is Shangfang
Mountain." In 1949 the site was in a state of ruin
and was overgrown with weeds, but following restoration
it has become one of the finest historical sites in Beijing
suburbs.
Setting
out from Zhoukoudian, there are two possible routes to
Shangfang Mountain, both of which pass through Gushankou.
One route passes through Louzishui Village and Bazhaizi,
while the other goes through wajing and Tiankai Village.
The first route is shorter but steeper, making it the
natural choice for mountaineers. In June 1980, the Fangshan
County authorities constructed two mew roads to the east
and west of the Yunshui (Clouds and Rivers) Grotto. The
east road is tarred and can be used by vehicular traffic,
while the western route is a footpath only.
Arriving
at Gushankou, one can discern in the distance the uneven
line of mist-covered peaks, the winding paths, the crags
and sheer cliffs, the steep ravines and strange-shaped
summits that form the Great Fangshan range. Closer by
is a lush green woodland and the villages of Shangzhongyuan
and Xiazhongyuan, fine resting places for the hike ahead.
Leaving
Gushankou, one follows a path along the Shahe River to
the entrance gate of the Temple of Welcome (Jiedai' an),
the first of the 72 convents. From here, one has to turn
northward and follow a twisting mountain path leading
to the East and West Pigeon halls (Donggetang and Xigetang),
where a number of different species of pigeons reside.
Crossing
the Fragrant Water Lake (Xiangshuihu) and he Stinking
Water Lake (Choushuihu), one comes to the Thunder-Cleaved
Rock (Pileishi). According to local legend, a snake demon
named Bare-Tailed Old Li came to Fangshan and committed
many grave misdeeds. When the old Buddhist monk Huisheng
discovered this, he admonished the snake demon, but it
paid no heed and the two began to fight. The snake demon
was no match mountain. The monk chased the demon to the
Stairway to the Clouds (Yunti) and raised his hands, whereupon
a tremendous clap of thunder and lightning split the mountain
asunder. The snake demon was beginning to weaken and when
it arrived at Sweating Ridge (Fahanling), lightened its
burden by discharging all of the stolen stinking water.
The monk continued chasing after it and the snake demon,
finding no means of escape, discharged the fragrant water
as well. Hence to this day there are two springs, one
stinking and one fragrant, which continue to flow al year
round. This fairy tale is depicted on a wall in the Hall
of the Dipper Spring (Yidouquan).
Sharp
crags flank the path, which crosses the Sweating Ridge,
and abrupt cliff faces that tower up to s height of over
30 meters. A stairway of over 100 steps (said to have
been constructed by the Ming eunuch Feng Bao) has been
cut into the rock, and a steel cable aids climbers in
their ascent. At the top of this Stairway to the Clouds,
there is a convent of the same name, which was built in
the Ming Dynasty. The convent contains a fine collection
of ancient art and images of the Buddha.
Heading
north from the Convent of the Stairway to the Clouds and
crossing the Kuanlong Bridge, one will come to another
gateway. Nearby, one can visit the Mingled Fragrances
Convent (Banxiang' an), the Pagoda Courtyard (Tayuan),
the Ten Square Courtyard (Shifangyuan), the Ksitigarbha
Hall (Dizangdian), and the Seaview Convent (Wanghaidian),
before going on to the Shangfang Temple.
The
Pagoda Courtyard contains numerous pagodas said to hold
the remains of Buddhist monks. One pagoda, dating from
1070 (Liao Dynasty), displays a stone tablet which reads:
"Here lies Cao Chang who dwelt on his mountain for
30 years and ordained over 200,000 monks. He passed away
in 1070."
Heading
northwest, one will pass the Convent That Faces the Sun
(Chaoyang' an) before coming to the Sea view Convent (Wanghai'
an). In its courtyard is the famous old"King of Cypresses"
with a trunk of over five meters in circumference. Turning
east from here and crossing a lush bamboo thicket, one
comes to the Manjusri Hall (Wenshudian), where there are
over 20 finely sculpted Buddhs images.
The
Shangfang Temple, situated near the central peak of the
mountain range, is the most important of the 72 convents.
It is surrounded by many other buildings- the Abbot's
Courtyard (Fangzhangyuan), the Hall of Quiet Return (Qingguidian),
the Great Kitchen (Dachufang), and the monks' dwellings.
The majority of these buildings date from the Ming Dynasty.
Although many of the wooden beams were repainted in the
Qing Dynasty, the style remains typical of the earlier
period.
At
the Convent of Retreat (Tuiju' an) and the Hall of the
Dipper Spring (Yidouquan), the scenery begins to change.
Splendid architecture is no longer to be seen and the
sounds of the wind in the pine trees and chirping of birds
have disappeared. Instead, simple buildings constructed
in the form of local residences surround one. The Hall
of the Dipper Spring and the Great Bell Tower (Dazhonglou)
complement each other, the former standing at the foot
of the steep slope and the latter on the very summit of
the crag. Although there is a small natural pathway connecting
the two, it is necessary to scramble through trees and
vines to get to the top. The large bell in the Great bell
Tower, still in perfect condition, weighs some 1,500 kilograms
and is 2.5 meters high. How did people in ancient times
manage to transport such a huge bell up this mountain?
Perhaps by laying a path of ice and sledding the bell
up the mountain. Of the nine grottoes of Shangfang Mountain,
Yunshui Grotto is surely the most exotic; and of the 12
peaks, Tianzhu Peak is the steepest and most rugged-to
this day, it has no road to climb.
The
Yunshui (Clouds and Rivers) Grotto
The
Yunhui Grotto lies on the western slopes of Shangfang
Mountain, about eight kilometers from the Tusita Temple.
In front of the cave entrance stands the Convent of Great
Compassion (Dabei' an), which dates from the Ming Dynasty.
Its main hall contains a number of Ming wall paintings.
The life-like human figures stand 1.6 meters tall and
are vivid.
The
grotto opens onto a natural cavern six meters high, though
the height of the ceiling in the rest of the grotto varies
greatly. Over thousands of years, the cave walls have
gradually dissolved into strange and wonderful natural
shapes, some of which resemble familiar things. These
have been given appropriate names, such as "Crouching
Tiger Mountain," "Elephant Bearing a precious
Jar," "Watermelon Patch" and "Snow-Flake
Mountain."
Two
"dragons" guard the entrance to this grotto.
Entering into the grotto, one will come upon a crouching
"tiger" which looks ready to pounce at any moment.
Further on, one will discover the figure of a "sprightly
old gentleman" with long eyebrows hanging down from
his forehead, sitting alone on the rocks. "Bell Towers"
and "Drum Towers" rise from the floor and hang
from the ceiling. When struck, these stalagmites and stalactites
produce the sounds of bells, drums and the Buddhist "wooden
fish" wood blocks, which are struck to accompany
the chanting of scriptures. Proceeding further amidst
the echoes of this strange music, one will arrive at the
"Mountain of Gongs," a group of stalactites
which vibrate like stone chimes when struck lightly, but
which sound like Chinese gongs when struck harder. Hanging
from the roof of the cave are large, broad stalactites,
which resemble the long cloth banners, suspended from
the ceilings of Buddhist temples. Other forms inside the
cave include "The Goddess of Mercy Explaining the
Buddhist Cannon," "The Precious Snake Jar"
and "The 18 Arhats."
The
grotto is a total of 600 meters long and consists of seven
consecutive caverns. In February 1980, the Fangshan County
government built a road to the grotto, widened the walkway
inside the cave and illuminated it with colored lights.
The
Mountain of Stone Scriptures (Shijingshan)
It
takes approximately three hours to walk along the mountain
path that leads from Shangfang Mountain to the Mountain
of Stone Scriptures. It is also possible to go via Tiankai
Village and through Changgou, yet this route is slightly
longer.
The
Mountain of Stone Scriptures was originally called White
belt Mountain (Baidaishan) and later Little Western Heaven
(Xiaoxitian). The "Fangshan Stone Scriptures"
found on this mountain is the only complete set of texts
of the Buddhist cannon carved on stone slabs in China.
This outstanding feat of craftsmanship dates back 1,000-odd
years the earliest of the Fangshan Stone Scriptures are
from the Sui Dynasty and the latest from the Ming Dynasty.
Rubbings taken from the inscriptions are preserved in
the Guangji Temple in Beijing.
The
inscribed stone tablets are found in nine caves which
face the Cloud Residence Temple (Yunjusi) on the eastern
peak, and a number of other tablets are buried underground.
The nine caves are situated about half way up the mountain
and are on two levels, the upper level containing seven
caves and the lower only two. The latter two caves along
contain nearly 2,000 tablets. Of these, the Buddhist priest
Jing Wan in the Sui Dynasty carved a small number, while
the rest were completed in the Liao Dynasty. The fifth
cave on the upper level is the largest and its contents
are rich. Called the "Roar of Thunder Cave"(Leiyindong),
it contains four unevenly hewn octagonal stone pillars
on which 1,806 statues of the Buddha have been carved.
The four walls of the cave are covered with 77 different
Buddhist inscriptions, including the Diamond Sutra and
Lotus Sutra, which, apart from a few inscriptions carved
in the Yuan Dynasty, were executed by Jing Wan. In 1956,
the Buddhist Association of China took a complete set
of rubbings of these inscriptions.
On
the top of the mountain here stands a single story stone
pagoda carved with a five-line inscription. Built in the
year 898 during the Tang Dynasty, both its architecture
and the carvings on its walls are particularly fine.
The
Ruins of the Cloud Residence Temple (Yunjusi)
The
Cloud Residence Temple stands within the walls of a small
cemetery in Shangle People' s Commune in Fangshan County.
It is perched on the slope of the White Belt Mountain
(Baidaishan) at a distance of about 75 kilometers from
Beijing. Vermilion Mountain (Zhushan) forms a backdrop
to the temple.
According
to Tang Dynasty records, the Cloud Residence Temple was
built in the early seventh century by the Buddhist monk
Jing Wan, after a violent flood which brought with it
thousands of tree trunks later used in the construction.
After the monk's death, his disciples took over the temple.
In spite of the damage wrought by wars and strife over
the centuries, the temple was rebuilt in the Liao, Jin,
Yuan, Ming and Qing dynasties. In 1940, it was severely
damaged by Japanese troops and in the Ming and Qing dynasties
sections were entirely razed. The Southern Pagoda, dating
from the Liao Dynasty, was also damaged, along with the
fine treasures it contained. Among the ruins of the Cloud
Residence Temple there are still, however, many points
of interest.
By
entering the white marble arched gateway and climbing
gradually upward, one can easily imagine the former glory
and splendor of the temple buildings. The original temple
had five central courtyards and six great halls, with
further auxiliary halls, imperial lodges and monks' dwellings
adjoining them.
The
Cloud Residence Temple was designated as a holy Buddhist
shrine for the Hebei Province area. At its height, the
temple was occupied by as many as 100 monks. A part from
the fame of the carved stone scriptures, in particular
two still stand to the north and south of the temple.
The Southern Pagoda is octagonal with 11 stories and pointed
eaves, and is constructed of brick. Buried under the pagoda
is a depository of Buddhist scriptures. Hence the pagoda
is also known as the "Pagoda that Covers the Scriptures."
It was built in 1117 in the Liao Dynasty.
The
Northern Pagoda, also built in the Liao Dynasty, was originally
called the Buddhist Shrine, but was later named the Argats'
Pagoda (Luohanta). Because the pagoda is painted red,
it is also known locally as the Red Pagoda. The bottom
half of the pagoda is octagonal with bracketed eaves and
carved niches. On its four sides are arched entrances
and false windows. The upper half of the pagoda is cone-shaped
and decorated with nine circular bands. It is surrounded
by smaller stone pagodas dating from the Tang Dynasty,
several of which resemble the Small Wild Goose Pagoda
in Xi' an. There are fine carved inscriptions on both
sides of the pagoda doors.
After
the founding of the People's Republic in 1949, extensive
excavation and restoration work was carried out on the
stone tablets inscribed with Buddhist scriptures in the
Cloud Residence Temple. Today, a total of 14,278 pieces
of stone tablets are distributed among the nine caves
on the Mountain of Stone Scriptures and the depository
at the temple.
In
1961, the State Council classified the ruins of the Cloud
Residence Temple, the Liao and Tang pagodas and the Buddhist
scripture caves as national historic sites. The Liao Dynasty
Northern Pagoda was repaired and a depository to preserve
the stone scriptures was built.
The
Stone Buddha Cave (Shifodong)
The
Stone Buddha Cave is a cavern of karst rock situated at
the foot of Danan Mountain near South Cheying Village
in the hebei People's Commune. It is over 700 meters in
length and, according to legend, once contained 10 stone
statues of the Buddha from which it acquires its name.
The cave contains many strange and varied rock formations
that rival in beauty those of the Yunshui (Clouds and
Rivers) Grotto.
Though
the question as to whether or not stone Buddhas ever stood
in the cave remains unanswered, the cave does have an
enchanting fairy tale attached to it: Once upon a time,
there was a black dragon which lived in the Black Dragon
Pass (Fangshan County). This dragon took a beautiful local
village girl to be his wife and they lived a contented
life together. Some time later, however, a white dragon
crossing through the Black Dragon Pass took an interest
in the fine land here and decided to claim some of it
for himself. Of course, the black dragon would not concede
his land and entered into a terrible battle with the impostor.
The black dragon's father-in-law, realizing that the black
dragon could not defeat his opponent, shot an arrow and
injured the white dragon. The latter made a terrible cry,
leaped into the air and then fled into the Stone Buddha
Cave.
The
Stone Buddha Cave contains six different caverns. To gain
access to the cave, one must first walk through a tunnel
20 meters long, the entrance of which is guarded by a
stone lion. Following along the tunnel, the route gradually
widens into a large cavern with a high domed roof and
a smooth floor, filled with a veritable forest of fantastically
shaped stalactites and stalagmites. In the lamplight,
the rocks take on a rosy tint and their variegated contours
become apparent-one can easily imagine oneself among a
bevy of dancing fairies.
To
get to the second cavern it is necessary to slip through
a narrow crevice, which leads to a flat, raised platform
and a much larger flat area beneath it. This cavern contains
many strange jagged rock formations and a group of stalactites
with countless cascading forms, which resemble a waterfall.
By
turning left on the raised platform and walking around
a deep underground spring, one comes to the third cavern.
At the cavern entrance there are two large rocks, one
hanging down from the roof and shaped like candied cherries-on-a-stick,
and the other a formation of two contiguous rocks, one
resembling a dragon's claw and the other the crest of
a wave which is called "The Dragon Entering the Sea."
To the right, there are numerous flat-topped stone pillars
of many different sizes and on the left wall of the cavern,
a pillar over 10 meters high which appears like a great
glacier inching its way downward. This is appropriately
named "The Tianshan Glacier." On the opposite
side of the cave is a grotto before which stalactites
are suspended like a watery screen. Between these two
groups of formations, four gigantic pillars are arranged
in line like the four great warrior attendants of the
Buddaha (Devarajas). Going through a narrow passageway,
one comes to the fourth cavern.
Here
one will notice a narrow underground"chimney"40
meters long, through which the legendary white dragon
is reputed to have entered the cave. The hollow at the
bottom of the chimney is even larger than the Stone Buddha
Cave and it too contains many fantastically shaped stalagmites
and stalactites. However, since the "chimney"
is extremely steep, few visitors are able to descend through
it.
To
the left of the"chimney"there is a sloping area.
By climbing up the slope and passing through a narrow
chink, one will discover the fifth cavern, which resembles
a small mountain slope. The rocks on the slope have been
worn smooth by running water, which has created small
gullies in the stone. The slope is known as the"Ox
Trough."
Climbing
to the top of the slope will take you to the sixth cavern.
The roof and floor of this cavern contain several dozen
hollows, which have small mouths but are spacious inside.
Their resemblance to earthenware jugs has given them the
name,"Jugs of Heaven and Earth."The countless
stalactites hanging from the ceiling of these hollows
resemble mountain peaks reflected on the surface of a
lake.
"Ten
Crossings"(Shidu)
The
"Ten Crossings" are situated about 100 kilometers
to the southwest of Beijing on the upper reaches of the
Juma River. To get from Zhangfang to "Ten Crossings"
Village it is necessary to cross the Juma River 10 times,
which is how the spot acquired its name.
The
Juma River flows out of the mountains at the village of
Zhangfang, 20 kilometers from Zhoukoudian. The entire
valley, which begins at the village, is filled with sparkling
streams, for apart from the Juma River itself which serpents
its way through the valley, the marshy swampland of the
valley floor is also traversed by brimming tributary streams
and gushing springs which descend from the mountainside.
One
makes the first of the"Ten Crossings"upon entering
the river valley and crossing the bridge. By following
the path that winds around the mountains, one will come
to the second bridge. The path continues to meander in
this manner, crossing the stream a total of 10 times.
Transport:
Bus No. 917 and Tourist Bus No. 10 go there each day from
Tianqiao and Qianmen Bus 17 terminus;
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